Posts Tagged ‘comedy’

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I’m tickled by Taika Waititi’s sense of humor. Yes, tickled.

After watching Boy, I didn’t need to be sold on Hunt for the Wilderpeople.

But a grumpy, bearded Dr. Alan Grant (Sam Neill) as a gruff outdoorsman was enough to make me ecstatic before the movie even started. As with Boy, Hunt for the Wilderpeople is about an eccentric youth in New Zealand, which is yet another fabulous opportunity to show off that stunningly beautiful landscape. While Taika makes a cameo in this movie as well, he doesn’t get near the screen time or juicy role that he gave himself in Boy.

Hunt for the Wilderpeople is the story of Ricky Baker—a troubled foster youth in New Zealand.

Oh, and Ricky is a wannabe gangster. Hilariously so. He keeps it gangsta.

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The movie starts with Ricky being dropped off at the doorstep of Bella (played by Rima Te Wiata) and Hec (played by Sam Neill). Once Ricky takes a look at this backwoods hole in the wall, he turns right back around to the Child Services vehicle. Ricky gives no fucks—even though this is his last stop before juvy.

Rima Te Wiata is an incredibly endearing presence as Bella, who just loves Ricky unconditionally from the start. Ol’ “Uncle” Hec isn’t quite as caring and nurturing as Bella. Hec is much more comfortable in the bush than he is around other people. His interests don’t exactly align with Ricky Baker.

Sam Neill is an actor with surprising range. Of course, everyone recognizes him for his role as Dr. Alan Grant in Jurassic Park. However, Sam Neill was spectacular in Seasons 1 and 2 of Peaky Blinders—where he plays a corrupt and menacing authority figure with misguided morals and a grudge against Cillian Murphy. In Hunt for the Wilderpeople, Sam Neill shows off his comedic chops as Hec.

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While the life of a kid in foster care isn’t exactly uplifting material, that’s the brilliance of Taika Waititi. With his outlandish, sometimes twisted sense of humor, Waititi’s exuberance finds the silver lining to turn a negative into a positive. I truly can’t wait to see more of Taika Waititi’s work.

Julian Dennison holds his own as Ricky Baker. He’s not in the same stratosphere as James Rolleston’s performance as Alamein in Boy. But there are some similarities between those characters. Instead of an adoration of Michael Jackson, Taika Waititi has the young male character infatuated with Tupac—naming his dog after the infamous rapper. Although Julian embodies this particular character well, I’d be surprised to ever see him again. I think it’s a credit to Taika that he’s capable of getting such great acting from young kids.

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How can you not feel relaxed and comfortable around that guy?

If you are one of the few who has watched Boy, then Hunt for the Wilderpeople is more of the same. It’s not necessarily a bad thing, but Boy was a superior film. Each movie shows off a different aspect of New Zealand and their sense of community. The audience is given a glimpse into what life can be like with the support of family or friends on that beautiful, sprawling expanse of wilderness.

It’s pretty majestical.

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4 out of 5 stars

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In all honesty, what did we do to deserve Swiss Army Man?

It’s hard to fathom a world in which a movie is made about a rotting corpse (Daniel Radcliffe) imbibed with magical properties that helps a marooned man (Paul Dano) survive isolation and navigate his way back to civilization. Maybe it shouldn’t be such a surprise that the dead body of Harry Potter is enchanted with powers that defy explanation. But here we are. This is a real thing.

If some poor rube mistakenly stumbles on this movie, then Swiss Army Man serves up an instant reminder by beginning with Paul Dano riding Daniel Radcliffe like a jet ski while the corpse’s immensely strong farts propel them across the ocean. Yes, I just wrote that sentence. It’s a genuine description of what happens. I was certain this was a ridiculous dream sequence. I was wrong.

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Somehow, I’m fucking ecstatic that this movie exists.

Swiss Army Man is a wonderfully weird independent movie from the minds of Daniel Scheinert and Daniel Kwan. I don’t know how The Daniels pulled this off, but these seemingly random ingredients come together to make an unbelievably outlandish, entertaining movie. The shocking charm of Swiss Army Man is disarming. Who else would have the balls to make this movie?

Many movies have gotten the one-of-a-kind label improperly slapped on them by critics.

Without hyperbole, this movie is truly one-of-a-kind. Nothing else like it exists.

Swiss Army Man is the picture-perfect definition of surrealism.

Paul Dano plays Hank—a man literally at the end of his rope. Hank is alone on a deserted island and ready to hang himself. At that moment, a body washes ashore and gives Hank hope. Once he finds out that the body is actually a bloated corpse with fierce flatulence, Hank then uses Harry Potter’s powerful farts in the aforementioned farting jet ski sequence to find the mainland.

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After those first 5 minutes, the boundary between dream and reality was shattered.

If you can make it 15 minutes into the movie, then you are in for a treat for the remainder.

Most of this movie involves Paul Dano’s character trying to bring the corpse back to life and teach him about things that might help him remember who he is or how he got there. I’m not kidding when I say Daniel Radcliffe’s time as an inanimate object is the best acting performance of his career. It’s a miracle that he wasn’t cracking up every second. He’s an incredibly believable dead body.

Basically, Swiss Army Man is like if Castaway just stayed with Tom Hanks on the island. Instead of befriending a volleyball, the main character finds a dead body to be his friend. The slightly reanimated corpse adopts the name Manny and starts to learn how to talk. While Daniel Radcliffe is at his best here when he’s doing a Weekend at Bernie’s impersonation, he gets his fair share of gems.

“If my best friend hides his farts from me, then what else is he hiding from me? And why does that thought make me feel so alone?” — Manny

It’s certainly childish, but I don’t give a fuck. Manny is a robust source of comedic relief as the Multi-Purpose Tool Guy. Paul Dano always brings me great joy, but he’s also extremely goofy. There is no “straight man” in Swiss Army Man. It’s still more than mere shits (and farts) and giggles.

Surprisingly, there’s a good amount of emotion in this movie.

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Paul Dano and Daniel Radcliffe occupy 99.9% of the screen time, but they bring their A-game in Swiss Army Man. Unfortunately, Mary Elizabeth Winstead only appears for 5 minutes. As soon a girl was shown in a small picture on Hank’s phone, I instantly recognized the actress. I know my MEW. As always, Mary Elizabeth Winstead shines whenever she’s on the screen.

Like most movies, Swiss Army Man probably outstays its welcome. I would have been happy if at least 15 minutes hit the cutting room floor. I still love this movie for what it is—a ballsy beacon of creativity. Only a small fraction will enjoy Swiss Army Man, but it will eventually find its audience.

I’m perfectly willing to accept that the events unfolding in this movie are simultaneously 100% real and completely fabricated within Hank’s head. In the end, I’m not even sure what happens. It doesn’t matter. Swiss Army Man literally ends with a character exclaiming, “What the fuck?!”

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It’s a fitting bow to wrap it up since I imagine that’s what the audience was saying to themselves at that exact moment. And throughout the entire movie. I know I was doing that.

In good conscience, I cannot recommend this movie to most people. I would be overcome with embarrassment if I suggested an acquaintance should watch this movie. You have to truly trust someone to say they should watch Swiss Army Man. Stoners would adore this movie, and it’s likely a 5-star movie if altered. Watching Swiss Army Man bone sober isn’t ideal, and it’s likely a 2-star movie if you don’t want silly humor. You definitely have to be in the right frame of mind.

Swiss Army Man is sublimely strange. I enjoyed every stupid moment.

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3.5 out of 5 stars

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Taika Waititi is a name you need to remember. Boy is quite an achievement for Taika, who wrote, directed, and also co-starred in this movie. As a result of Waititi’s work, he’s now directing Thor: Ragnarok. That’s a monumental leap for this New Zealand director, but I have no doubt that Waititi will do a phenomenal job. You can tell the man has a fine-tuned yet frenetic mind for comedy. After watching this movie, I wanted to see his whole catalog, but I also have a strong desire to see more of Taika in front of the screen. I dare you not to like this man. Waititi exudes charisma.

Boy is the story of Alamein—an 11-year-old boy who lives in a small New Zealand town with his grandma, younger brother (Rocky), and various little cousins. Everyone refers to Alamein as “Boy.” He hates it. Boy was named after his father, Alamein, who left when he was young. Forget about good memories, he doesn’t have any memories with his dad. While he still worships his estranged father, Boy’s other idol is Michael Jackson, which makes a little more sense since this movie is set in the mid-80’s. Seeing him try to impress a girl and miserably failing at moonwalking is a subtle, delightful highlight.

The movie is just pure childish enjoyment. It’s like bubbles being blown in your face.

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Boy tells fantastical stories of his father, which are acted out in these hilarious daydream-esque sequences. When a kid in school claims his dad is in jail with Boy’s father, Boy tells him that Alamein tunneled out and killed two guards with only a spoon to escape. This movie utilizes humor to distract and somewhat transcend what is actually an extremely sad situation of desperate poverty. Boy is basically an orphan being raised by his grandma and he’s constantly being picked on.

One of the only things that has stuck with him is when a teacher says he has potential.

Boy doesn’t even know what potential means. Oddly, his grandma suddenly leaves for a funeral, which (as the oldest) puts Boy in charge of all the little kids in their shanty. However, Alamein happens to come back home out of nowhere with two guys from his “gang”—The Crazy Horses.

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Hijinks ensue. It’s clear Alamein is a total shithead. But in a fun way.

Alamein occasionally dons an army helmet with Shogun written on it, which is what he wants everyone to call him. No one takes him seriously. However, Boy still sees the best in him—to the point of delusion. Boy wants to connect with his father, but Alamein really just wants to find his old stash of cash he hid in the backyard before going to jail. Although this movie is an absolute treasure cove of comedic gold, there is beating heart at its core that makes this all possible and feel real.

To Taika Waititi’s credit, this movie is incredibly well-written and the story feels genuine. I always smiled whenever Taika was on the screen. But James Rolleston is the other standout star as the titular Boy. Even the adorable Te Aho Eketone-Whitu is memorable in his role as Rocky. This movie employs a colorful cast of bit characters (amazingly, mostly children) that leave their little marks on the movie.

Rocky, Boy, and Alamein

I’ll concede that this movie isn’t for everyone. Very few can satisfy the whole range of people.

Boy lacks that widespread appeal—especially since some people are completely opposed to any type of cuteness or quirk. This movie also meanders a bit in the second act, but Boy is a remarkable independent film that’s already helped Taika Waititi’s career explode. I’ve been awaiting an opportunity to watch his most recent movie, Hunt for the Wilderpeople—seemingly another zany comedy-drama set in New Zealand. After Waititi knocks Thor: Ragnarok out of the park, I can only hope that success opens more doors for him while also guiding others to watch his smaller independent movies like Boy. I hope Boy finds the audience it deserves because it strikes a chord that warms the cockles.

Boy has been a difficult movie for me to describe. It is intrinsically unique. I don’t know how to really frame this movie and put it into words. It’s a leap of faith. I had no idea what was in store for me when I decided to watch this movie on Netflix. But I’ll never be able to forget it. If you are in the mood for a heartfelt comedy, then take the leap of faith with me and watch Boy streaming on Netflix.

Alamein might disappoint you, but Boy never will.

Taika Kitty

4.5 out of 5 stars

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It’s hard for me to trust anyone who has never thought about suicide.

None of us will make it out of this life alive. At some point or another, we will all die.

Wanting some control over when your time is up is a very human thought.

If you’re in pain (of any sort), it’s a natural desire to want to end that suffering. That doesn’t mean you should end your life to end that suffering. But the thought itself is something that we all experience. Anyone with a hint of self-awareness questions their place—why they’re here and how they fit in the world.

Some people just don’t fit and don’t want to fit into this world. We didn’t ask to be here.

Before I Disappear heavily explores these types of dark themes with a very deft hand.

This movie opens with the main character, Richie (played by Shawn Christensen), working his literal shit job cleaning toilets at a nightclub. After opening stall after stall to see the revolting horror show that awaits, Richie finds a girl dead from a heroin overdose. It’s the last straw for Richie—who is still in mourning after his girlfriend, Vista (played by Isabelle McNally), died from a heroin overdose. That drug has ruined his life and he’s had enough.

When he gets back to his apartment, Richie starts a bath and grabs a razorblade so he can join his love in the next life. But then the phone rings. Just like that, he’s roped back into existence.

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After 5 or so years of not talking to his sister, Maggie (played by Emmy Rossum), she calls Richie in her time of need and she asks one favor: pick up and look after her daughter, Sophia (played by Fatima Ptacek), while she is unable to do so herself. This mission becomes Richie’s sole reason to live—at least for the moment.

I fucking love this movie. Before I Disappear feels like the movie equivalent of Alice in Chains. The subject matter is inescapably depressing, but it’s enjoyable to sulk and soak in the darkness. Sometimes it’s just nice to sit in a room by yourself with no lights and think about life. That’s the type of odd satisfaction I derive from Before I Disappear. At this point, the number of times I’ve watched this movie is creeping up into double-digits.

Regardless of how many times I watch it, I will never get sick of this movie.

On every repeat viewing, it draws the same strong emotional response.

Richie and Sophia

The heart of this movie is the interaction between Richie and Sophia. I don’t recognize Shawn Christensen, but he is incredibly solid in this performance as a man at the end of his rope. You feel the void in Richie’s soul. That feels like it is completely the result of Shawn Christensen’s work put into the character. Before I Disappear comes off as an intensely personal story for writer/director/actor Shawn Christensen.

This film certainly captures the despair of depression and drug addiction like no other.

But don’t worry, there is still plenty of dark humor to savor in Before I Disappear.

A lot of the laughs come as a result of Richie’s irritation with people. However, the shining star of this movie is Fatima Ptacek as Sophia. Apparently, Fatima is the voice of Dora the Explorer. However, she is phenomenal in this more adult role. With a vibrant presence, you can’t help but smile when she is on the screen. Just by her actions and demeanor, you can tell that Sophia is a goody-goody raised by a strong, independent mother. It shines through in the character. Amidst all of this chaos, the only thing Sophia wants to do is schoolwork.

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Richie and Sophia have a perfect blend of odd couple chemistry. You see these characters form a relationship after starting off as relative strangers forced together as a result of this weird situation. Their budding camaraderie is adorable, and they grow closer as the night grows longer. With nowhere else to go, Richie and Sophia explore the seedy underbelly that is Richie’s life in New York City.

Before I Disappear is surprisingly even-handed with comedy and drama, but this movie isn’t afraid to go to dark places. Richie is abrasive, but you still can’t help but like him. He’s a guy with a good heart, and he feels like a genuine person rather than a two-dimensional character. You don’t know the exact destination, but you want everything to work out for this guy on his journey. Even if he just wants to get back to his cold, red bath.

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While you are with Richie the entire time, the audience is only fed bits and pieces of Maggie’s story—until near the end when it is a necessity. However, Emmy Rossum makes an impact with her limited time on the screen. When they finally reveal where Maggie is and why she’s there, you experience her feelings and that realization washes over you at the same time as the character. Essentially, her carefully crafted business world is a facade that she is trying to keep from crumbling down. She has to stay strong for herself and her daughter.

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Before I Disappear might be a slow build, but it is undoubtedly worth the wait. No punches are pulled in this movie. By the time it was over, I felt emotionally pummeled. I would highly recommend this movie to anyone—especially those who enjoy movies that can make them emotional. I’m not afraid to cry while watching a movie, and Before I Disappear earns its tears. I couldn’t help but experience those same feelings on every repeated viewing.

In my eyes, Before I Disappear is a special achievement. This movie perfectly hits its intended spots and the result provides a valuable refuge from the outside world. Everyone should watch Before I Disappear and it is still streaming on Netflix. If you don’t like this movie, then I don’t think you need to come back to this website.

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5 out of 5 stars

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If someone drilled a hole in Charlie Kaufman’s skull and tried to extract a movie idea, then the result might be something similar to The Lobster. Unfortunately, this movie lacks Charlie Kaufman’s signature type of style and substance because it’s in the hands of an inferior talent. The ambition does not match the execution. I wanted to like The Lobster, but this is soulless quirk without any fun.

The Lobster is like a feature-length film version of Asperger’s syndrome.

Why was this movie made? Considering the central theme is about relationships and finding love, The Lobster fails to provide anything worthwhile on the subject. Society pressures people into relationships—that’s about it. This movie has a whole lot of nothing to offer the audience. I don’t like tearing down a movie, but I’ll be one of the lone voices deriding this fresh, steaming turd.

I’m shocked that there are people who enjoyed the experience of The Lobster.

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Colin Farrell does his best with the material, but the dialogue is entirely too stilted. It caused physical pain to listen to people speak. Kudos to anyone who forced themselves to suffer past the movie’s first act. If you are one of those people, I would love to learn why you tortured yourself.

Before we go any further, let’s just state the premise of the movie for anyone who is unaware.

This movie is set in a future where The City sends single people to The Hotel to find a romantic partner. If you’re not successful within your 45 days, then you get turned into the animal of your choice. David (played by Colin Farrell) would like to be a lobster if he doesn’t find love.

Somehow, The Lobster is a drab, absurdist drama that refuses to provide levity.

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I don’t know why you would drag down this preposterous premise by embedding it in a dystopian future. I think we can all realize the ridiculousness and appreciate the absurdity without having to ground it in a gritty, joyless environment. This movie would have been instantly improved by just making this a magical hotel with the same type of consequences looming for failure. Tweak the story by having Colin Farrell’s character unwittingly arrive at the hotel for an extended stay—only to learn he has to find love before he leaves or else he’s turned into the animal of his choice.

You could still touch on the same points while also adding humor to lift up the material.  There is an astonishing lack of laughs in The Lobster.  Instead, this is a tough slog to endure.  This movie figuratively beats a dead horse and it literally beats a dead dog.

Director and co-writer Yorgos Lanthimos handled this movie with zero subtlety.

Despite a 2-hour runtime, there’s a frustrating lack of substance in The Lobster.

I still commend Lanthimos for the audacity of the premise, but I cannot think of one person I could recommend this movie to and reasonably expect them to enjoy it. Personally, I find it much more interesting to think and talk about the idea of this movie than the actual movie.

Leave The Lobster to die its slow, dull death in the grave it dug for itself.

Grave

1.5 out of 5 stars

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Goodbye World is the most realistic depiction of the apocalypse and its local impact.

Our entire technological infrastructure has fallen apart because of a virus that sent a message to literally everyone—by targeting that person’s contacts and sending the message to their contacts (and so on) in a never-ending cycle. Not only has that caused communication to collapse, but it has snowballed to a complete failure of the energy grid. Suddenly, we are technologically untethered.

What was the message everyone was sending and receiving? Goodbye World.

Within the first 15 minutes, our group of friends is introduced and you start getting bits and pieces of the collapse. However, these people are largely aloof to the impending doom. Except for a few characters caught in major cities, most of them are making their way to a dinner party to their friend’s house in the secluded hills of Northern California. Essentially, the house is a compound with an ample garden and supplies. It is very convenient, but it makes sense in the context of the story.

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The core four characters that are meeting up for this dinner party are two couples: Nick (played by Ben McKenzie) and Becky (played by Caroline Dhavernas) as well as James (played by Adrian Grenier) and Lily (played by Kerry Bishe). Nick started a company with James and Lily, but James froze Nick out of the company—because Nick wanted to sell the private data of their users—then James sold the company. It’s a nice, tight way to get these characters to this compound for a reason.

The other friends in this movie are Benji (played by Mark Webber), Laura (played by Gaby Hoffmann), and Lev (played by Kid Cudi). Benji is a radical activist recently out of jail who travels giving lectures, but still lives in the guest house out back. Becky is a disgraced political aide after getting caught on camera fucking the Senator she worked for and loved. Lev is a hacker who is about to commit suicide during the opening of the movie, but he stops when he hears about the cyber attack on the news.

Kid Cudi

Don’t let the cast fool you. There’s not a lot of notable names, but they play their parts extremely well. I hate most movies like this because the characters feel like a collection of actors rather than a group of friends. That dynamic is so hard to capture because every person within the group has a different relationship with each friend. When do you ever have a group of friends where everyone likes everyone? Have you met most people? This movie gives you the sense of history amongst these friends, and their interactions bring those stories to life. It is a credit to these actors and the writing.

Goodbye World earns the honor of most believable movie group of friends I’ve ever witnessed.

Friends

To be clear, this is more of a human drama than a movie documenting the collapse of society.

Shrinking the scale is a wise move because you can only show so much in a low-budget movie. You may not see America crumbling, but you get glimpses through the impact it has on people. When society falls, it is people who you have to watch out for at every turn. People will start to turn on you in order to save themselves. Friends become enemies. It is a fight over human nature.

I never felt like Goodbye World bordered on the ridiculous.

For the most part, these friends are kept safe by virtue of location. The house is not remotely close to civilization so they are cut off and secluded from most of the chaos. These places exist, I used to live approximately a half hour from any gas station or store. When things get too cozy and comfortable, a threat is introduced in the form of a sketchy duo of National Guard soldiers.

National Guard

I don’t know why there is so much hate and vitriol for Goodbye World.

If no one else will stand up, I’ll be the one to champion this movie. Goodbye World is built on an interesting concept, and the amazing acting breathes life into the story and makes it personal. I didn’t like everyone and that’s the intention. There are different characters that each person will connect with or despise, but there is plenty to enjoy in terms of both comedy and drama.

As much as Adrian Grenier gets deservedly shit on, Goodbye World is the absolute apex of his acting ability. Although he does sport an annoying top knot for most of the movie, Grenier makes James a believable blend of asshole and well-intentioned husband trying to care for his family. Even Ben McKenzie displays some dimension as Nick rather than his typical flat character type. And fucking Kid Cudi. I love Kid Cudi and Lev is a beautiful bright spot. Goodbye World is almost perfect.

I’ve said it several times before, but re-watchability is an important factor in my enjoyment of a movie. I believe Goodbye World is good enough to earn your repeated viewing. At this point, I think I have watched it at least 5 times. Savor Goodbye World while it is still streaming on Netflix. With a runtime right under an hour and a half, it’s an ideal length. Director Denis Henry Hennelly managed to make something unique with this movie, which he co-wrote with Sarah Adina Smith.

You don’t often get a comedy that packs an emotional punch.

When it ended, I did not want to say goodbye.

Satisfaction

4 out of 5 stars

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Faults is a fantastic, even-paced mystery that is phenomenally captivating.

This movie starts out as a dark comedy showing you the desperate nature of the lead character, Ansel Roth—played by Leland Orser. Ansel is a specialist on cults and he tours local hotels to give shitty speeches and hawk his hackey book. The opening scene shows Ansel trying to re-use a hotel voucher for a free meal and getting rebuked. It goes delightfully wrong as he has to be thrown out.

Ansel in Mirror

Ansel Roth is a man at the end of his rope. Not quite literally, but he does attempt to suck a tailpipe. Ansel is a broken man, and Leland Orser does a beautiful, masterful job portraying that sense. Leland Orser is a seasoned character actor who typically plays nerdy roles, but he excelled in this larger opportunity playing a complex character like Ansel Roth. Ansel is a failure. Both his marriage and career have failed. One particular case still haunts Ansel because he failed trying to help a family deprogram a woman initiated into a cult. He pushed her too hard and she killed herself.

As a result of his collective failures, Ansel has lost all motivation to move forward.

Claire and Parents

However, he gets a second chance when two parents—played by familiar faces Chris Ellis and Beth Grant—come to Ansel desperate for his specialized help to save their daughter, Claire. For the first time in the movie, you see a light turn on in Ansel’s eyes while he’s eating breakfast with Claire’s parents. Although he blatantly states that he no longer gives a shit, Ansel needs the money and the parents are willing to pay for the job. Naturally, Ansel hires two thugs, they all kidnap Claire from a parking lot, and they transport her to a hotel in a sketchy van. Clearly, these are not professionals.

Basically, the comedy comes to a screeching halt at this point (about 20 minutes in).

However, the lack of dark humor is made up for by a wealth of Mary Elizabeth Winstead—playing Claire. I’ll take that trade-off. Mary Elizabeth Winstead is one of our finest young actresses. She is an amazing talent with range, but she’s hasn’t had a true breakthrough role. I have no doubt she would have had an equally impressive performance as Brie Larson in last year’s Oscar-nominated Room.

Kidnapped

Claire comes off as a fragile woman. She is confused about the situation, but not her convictions. According to her parents, she has joined a cult and cut herself off from her family and society as a whole. Claire has joined a group that refers to itself as Faults. A fault is a fracture. From a fault comes a change. Claire feels intrinsically connected and called to this group. According to her description, Faults exhibits all the classic signs of a cult. It is Ansel’s mission to deprogram the cult’s teachings.

Ansel feels obligated to help Claire, but his main motivation is the money so he can pay off his debt.

Terry is his manager who self-published Ansel’s latest book, which he can’t give away. Jon Gries plays Terry in a very understated manner as a tough but effeminate photographer. Despite his job, he still manages to provide the character with the appearance of intimidation. Terry utilizes his close pal, Mick, as the muscle to force Ansel to pay. Mick is played by Lance Reddick, resident alien-looking motherfucker with a voice of gold who I’ll always remember as Desmond Mobay from Oz and Cedric Daniels from The Wire. These two characters are constantly interfering with Ansel’s mission to save Claire.

Ansel can only survive so long having his candle burnt at both ends.

Saying too much more would threaten to ruin the story as this movie transforms into an absorbing mystery to find out who this cult is and what the hell they are doing. Although Claire is the only opening into Faults, Ansel is the key to unlock the door. Can he succeed where he failed before?

Orser and Winstead

Riley Stearns deserve immense praise for pulling off this movie as both the writer and director. His vision came to life and became much more thanks to Mary Elizabeth Winstead and Leland Orser. The interplay between the characters of Claire and Ansel is the core of this movie. A few minutes could have been snipped from the middle to tighten things up, but this movie deserves more praise.

Maybe I just personally enjoy the subject of cults more than most. It is a fascinating topic that Faults touches on and rolls around in—exploring why and how people are drawn to cults. In most cases, it is the cult of personality that lures people in like a siren’s call. In Faults, Ira is the name of the mysterious leader that we never see but their presence is felt anyway. The charismatic leader is often the introduction to make the brainwashing go down smooth. As people, we are very weak and open to this exploitation. While people love to single out Scientology, every organized religion is a cult.

You can all hate me equally for that true statement and sentiment.

Faults is a movie that belongs in your queue. Fortunately, this is still streaming on Netflix. Despite heavily relying on the mystery of unraveling the story, this movie holds up on a second viewing.

Just watch what you say about Faults, there some things we don’t talk about.

MEW Scream

4 out of 5 stars